Performing rhythm well is what separates entertainment from the a-rhythmic sound of practicing. Rhythm is the song’s driving force, the part that enables motion, the heartbeat. I think rhythm is the most crucial element to master, so let’s start there. Let’s think of music’s sound as the two wheels of a bike:Īndy’s 2-wheel view of music Rhythm: driver ![]() So I’d like to share with you my breakdown of the parts that deserve the greatest attention: rhythm (the beat) and pitched scales (the melody, chords, and bass). I suggest we chunk information always keeping in mind the anatomy of a song while we study music. The key signature designates the (do-re-mi) scale used, the Y-axis (vertical). The time signature defines the song’s rhythmic aspect, consider it an X-axis (horizontal). I plan to create separate posts diving into these topics more deeply, but wanted to use these two ideas as the foundation for this discussion. Written Music as a GuideĪt the beginning of a transcribed piece of music, two main components are labeled as signatures: the time signature and the key signature. Recognizing song anatomy puts wind in our sails and guides the efficiency of our practice time. As students of music, how do we effectively focus our thoughts as we sail the vast oceans of sound? Let’s consider the idea of breaking songs down into smaller parts, which I will call song anatomy.
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